EXTRAODINARY PEOPLE


Hello fellow Baby Boomers…

For those who did not notice that I am not posting on this site.

Please follow me to my new host…I am up and running!

http://www.BabyBoomerAdvisorClub.com
This is your offical invitation!

Southern smiles and world peace,
Sharon
~The Baby Boomer Queen~

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For those who did not notice that I am not posting on this site.

Please follow me to my new host…I am up and running!

http://www.BabyBoomerAdvisorClub.com
This is your offical invatation!

Southern smiles and world peace,
Sharon
~The Baby Boomer Queen~

Hello Baby Boomer, readers and friends…

I hope you have missed me as much as I have missed talking to you’all…

I want to thank you for making the Baby Boomer Queen a success. When we hit 100,000 people, we decided it was time for a change.

We have changed the format and server [host] and are now on a slightly elevated blog level. At least I think so…but then again…I am a new blogger…so, what do I actually know…LOL!
I do hope you will come and join us at our new address.

http://www.BabyBoomerAdvisorClub.com

Please bear with me…as you know, I am spelling, typing and computer challenged!

I hope to see and hear from you soon!

Smiles and world peace,
Sharon
~The Baby Boomer Queen~

Drop me a line when you get there!

Charlton Heston, Epic Film Star and Voice of N.R.A., Dies at 83

Charlton Heston, who appeared in some 100 films in his 60 year acting career but who is remembered chiefly for his monumental, jut jawed portrayals of Moses, Ben~Hur and Michelangelo, died Saturday night at his home in Beverly Hills, Calif. He was 83.

Charlton Heston had been suffering from Alzheimer’s.

Charlton Heston posed with his Oscar statuette after winning the 1959 Academy Award for best actor for his portrayal of Ben~Hur.

His death was confirmed by a spokesman for the family, Bill Powers, who declined to discuss the cause. In August 2002, Mr. Heston announced that he had been diagnosed with neurological symptoms “consistent with Alzheimer’s disease.”

“I’m neither giving up nor giving in,” he said.

Every actor dreams of a breakthrough role, the part that stamps him in the public memory, and Mr. Heston’s life changed forever when he caught the eye of the director Cecil B. De Mille. De Mille, who was planning his next biblical spectacular, “The Ten Commandments,” looked at the young, physically imposing Mr. Heston and saw his Moses.

When the film was released in 1956, more than three and a half hours long and the most expensive that De Mille had ever made, Mr. Heston became a marquee name. Whether leading the Israelites through the wilderness, parting the Red Sea or coming down from Mount Sinai with the tablets from God in hand, he was a Moses to remember.

Writing in The New York Times nearly 30 years afterward, when the film was re-released for a brief run, Vincent Canby called it “a gaudy, grandiloquent Hollywood classic” and suggested there was more than a touch of “the rugged American frontiersman of myth” in Mr. Heston’s Moses.

The same quality made Mr. Heston an effective spokesman, off screen, for the causes he believed in. Late in life he became a staunch opponent of gun control. Elected president of the National Rifle Association in 1998, he proved to be a powerful campaigner against what he saw as the government’s attempt to infringe on a Constitutional guarantee, the right to bear arms.

In Mr. Heston, the N.R.A. found its embodiment of pioneer values, pride, independence and valor. In a speech at the N.R.A.’s annual convention in 2000, he brought the audience to its feet with a ringing attack on gun-control advocates. Paraphrasing an N.R.A. bumper sticker (“I’ll give you my gun when you take it from my cold, dead hands”) he waved a replica of a colonial musket above his head and shouted defiantly, “From my cold, dead hands!”

Mr. Heston’s screen presence was so commanding that he was never dominated by mammoth sets, spectacular effects or throngs of spear waving extras. In his films, whether playing Buffalo Bill, an airline pilot, a naval captain or the commander of a spaceship, he essentially projected the same image muscular, steely eyed, courageous. If critics regularly used terms like “marble monumental” or “granitic” to describe his acting style, they just as often praised his forthright, no~nonsense characterizations.

After his success in “The Ten Commandments,” Mr. Heston tried a change of pace. Another legendary Hollywood director, Orson Welles, cast him as a Mexican narcotics investigator in the thriller “Touch of Evil,” in which Welles himself played a murderous sheriff in a border town. Also starring Janet Leigh and Marlene Dietrich, the film, a modest success when it opened in 1958, came to be accepted as a noir classic.

But the following year Mr. Heston stepped back into the world of the biblical epic, this time under the director William Wyler. The movie was “Ben~Hur.” Cast as a prince of ancient Judea who rebels against the rule of Rome, Mr. Heston again dominated the screen. In the film’s most spectacular sequence, he and his co~star, Stephen Boyd, as his Roman rival, fight a thrilling duel with whips as their horse drawn chariots careen wheel~to~wheel around an arena filled with roaring spectators.

“Ben~Hur” won 11 Academy Awards, a record at the time, including those for best picture, best director and, for Mr. Heston, best actor.

He went on to star opposite Sophia Loren in the 1961 release “El Cid,” battling the Moors in 11th century Spain. As a Marine officer stationed in the Forbidden City in 1900, he helped put down the Boxer Rebellion in Nicholas Ray’s 1963 epic “55 Days at Peking.” In “Khartoum” (1966), he played Gen. Charles (Chinese) Gordon, who was killed in a desert uprising led in the film by Laurence Olivier’s Mahdi. When George Stevens produced and directed “The Greatest Story Ever Told” in 1965, there was Mr. Heston, back in ancient Judea, playing John the Baptist to Max von Sydow’s Jesus.

He portrayed Andrew Jackson twice, in “The President’s Lady” (1954) and “The Buccaneer” (1958). There were westerns (“Major Dundee,” “Will Penny,” “The Mountain Men”), costume dramas (“The Three Musketeers” and its sequel, “The Four Musketeers,” with Mr. Heston cast as the crafty Cardinal Richelieu in both) and action films aplenty. Whether playing a hard bitten landowner in an adaptation of James Michener’s novel “The Hawaiians” (1970), or a daring pilot in “Airport 1975,” he could be relied on to give moviegoers their money’s worth.

In 1965 he was cast as Michelangelo in the film version of Irving Stone’s novel “The Agony and the Ecstasy.” Directed by Carol Reed, the film pitted Mr. Heston’s temperamental artist against Rex Harrison’s testy Pope Julius II, who commissioned Michelangelo to create frescoes on the ceiling of the Sistine Chapel. Mr. Heston’s performance took a critical drubbing, but to audiences, the larger than life role seemed to be another perfect fit. Mr. Heston once joked: “I have played three presidents, three saints and two geniuses. If that doesn’t create an ego problem, nothing does.”

Mr. Heston was catapulted into the distant future in the 1968 science fiction film “Planet of the Apes,” in which he played an astronaut marooned on a desolate planet and then enslaved by its rulers, a race of anthropomorphic apes. The film was a hit. He reprised the role two years later in the sequel, “Beneath the Planet of the Apes.”

    Son of the Midwest

It was all a long way from Evanston, Ill., where Charlton Carter was born on Oct. 4, 1924, and from the small town of St. Helen, Mich., where his family moved when he was a small boy and where his father ran a lumber mill. He attended a one room school and learned to fish and hunt and to savor the feeling of being self reliant in the wild, where his shyness was no handicap.

When his parents divorced in the 1930s and his mother remarried, his stepfather’s surname was Heston, the family moved to the Chicago suburb of Winnetka. He joined the theater program at his new high school and went on to enroll at Northwestern University on a scholarship. By that time, he was convinced he had found his life’s work.

Mr. Heston also found a fellow drama student, Lydia Clarke, whom he married in 1944, just before enlisting in the Army Air Force. He became a radio gunner and spent three years stationed in the Aleutian Islands. After his discharge, the Hestons moved to New York, failed to find work in the theater and, somewhat disenchanted but still determined, moved to North Carolina, where they spent several seasons working at the Thomas Wolfe Memorial Theater in Asheville.

When they returned to New York in 1947, Mr. Heston got his first big break, landing the role of Caesar’s lieutenant in a Broadway production of Shakespeare’s “Antony and Cleopatra” staged by Guthrie McClintick and starring Katharine Cornell. The production ran for seven months and proved to be the high point of Mr. Heston’s New York stage career. He appeared in a handful of other plays, most of them dismal failures, although his performance in the title role of a 1956 revival of “Mr. Roberts” won him praise.

If Broadway had little to offer him, television was another matter. He made frequent appearances in dramatic series like “Robert Montgomery Presents” and “Philco Playhouse.” The door to Hollywood opened when the film producer Hal B. Wallis saw Mr. Heston’s performance as Rochester in a “Studio One” production of “Jane Eyre.” Wallis offered him a contract.

Mr. Heston made his film debut in 1950 in Wallis’s “Dark City,” a low grade thriller in which he played a small time gambler. Two years later, he did his first work for De Mille as a hard driving circus boss in “The Greatest Show on Earth.”

Throughout his career he studied long and hard for his roles. He prepared for the part of Moses by memorizing passages from the Old Testament. When filming began on the sun baked slopes of Mount Sinai, he suggested to De Mille that he play the role barefoot, a decision that he felt lent an edge of truth to his performance.

    Filmography: Charlton Heston

Preparing for “The Agony and the Ecstasy,” he read hundreds of Michelangelo’s letters and practiced how to sculpt and paint convincingly. When filming “The Wreck of the Mary Deare” (1959), in which he played the pilot of a salvage boat, he learned deep-water diving. And he mostly rejected stunt doubles. In “Ben-Hur,” he said, he drove his own chariot for “about 80 percent of the race.”

“I worked six weeks learning how to manage the four white horses,” he said. “Nearly pulled my arms right out of their sockets.”

As the years wore on, the leading roles began to go to younger men, and by the 1980s, Mr. Heston’s appearances on screen were less frequent. He turned to stage work again, not on Broadway but in Los Angeles, at the Ahmanson Theater, where he played roles ranging from Macbeth to James Tyrone in “Long Day’s Journey into Night.” He also returned to television, appearing in 1983 as a paternalistic banker in the miniseries “Chiefs” and as an oil baron in the series “The Colbys.”

Rifles and a ‘Cultural War’

Mr. Heston was always able to channel some energies into the public arena. He was an active supporter of the Rev. Dr. Martin Luther King Jr., calling him “a 20th century Moses for his people,” and participated in the historic march on Washington in 1963.

He served as president of the Screen Actors Guild from 1966 to 1971, following in the footsteps of his friend and role model Ronald Reagan. A registered Democrat for many years, he was nevertheless selective in the candidates he chose to support and often campaigned for conservatives.

In 1981, President Reagan appointed him co-chairman of the President’s Task Force on the Arts and Humanities, a group formed to devise ways to obtain financing for arts organizations. Although he had reservations about some projects supported by the National Endowment for the Arts, Mr. Heston wound up defending the agency against charges of elitism.

Again and again, he proved himself a cogent and effective speaker, but he rejected suggestions that he run for office, perhaps for a seat in the Senate. “I’d rather play a senator than be one,” he said.

He became a Republican after Democrats in the Senate blocked the confirmation of Judge Robert Bork, a conservative, to the Supreme Court in 1987. Mr. Heston had supported the nomination and was critical of the Reagan White House for misreading the depth of the liberal opposition.

Mr. Heston frequently spoke out against what he saw as evidence of the decline and debasement of American culture. In 1992, appalled by the lyrics on “Cop Killer,” a recording by the rap artist Ice T, he blasted the album at a Time Warner stockholders meeting and was a force in having it withdrawn from the marketplace.

In the 1996 elections, he campaigned on behalf of some 50 Republican candidates and began to speak out against gun control. In 1997, he was elected vice president of the N.R.A.

In December of that year, as the keynote speaker at the 20th anniversary gala of the Free Congress Foundation, Mr. Heston described “a cultural war” raging across America, “storming our values, assaulting our freedoms, killing our self-confidence in who we are and what we believe.”

    A Relentless Drive

The next year, at 73, he was elected president of the N.R.A. In his speech at the association’s convention before his election, he trained his oratorical artillery on President Bill Clinton’s White House: “Mr. Clinton, sir, America didn’t trust you with our health care system. America didn’t trust you with gays in the military. America doesn’t trust you with our 21 year old daughters, and we sure, Lord, don’t trust you with our guns.”

He was in the news again after the shootings at Columbine High School in Littleton, Colo., in April 1999, when he said that the N.R.A.’s annual membership meeting, scheduled to be held the following week in Denver, would be scaled back in light of the killings but not canceled.

In a memorable scene from “Bowling for Columbine,” his 2002 documentary about violence in America, the director, Michael Moore, visited Mr. Heston at his home and asked him how he could defend his pro~gun stance. Mr. Heston ended the interview without comment.

In May 2001, he was unanimously re~elected to an unprecedented fourth term by the association’s board of directors. The association had amended its bylaws in 2000 to allow Mr. Heston to serve a third one year term as president. Two months after his celebrated speech at the 2000 convention, it was disclosed that Mr. Heston had checked himself into an alcohol rehabilitation program after the convention had ended.

Mr. Heston was proud of his collection of some 30 guns at his longtime home in the Coldwater Canyon area of Beverly Hills, where he and his wife raised their son, Fraser, and daughter, Holly Ann. They all survive him, along with three grandchildren.

Never much for socializing , he spent his days either working, exercising, reading (he was fond of biographies) or sketching. An active diarist, he published several accounts of his career, including “The Actor’s Life: Journals 1956~1976.”

In 2003, Mr. Heston was among the recipients of the Presidential Medal of Freedom awarded by President Bush. In 1997, he was also a recipient of the annual Kennedy Center honors.

Mr. Heston continued working through the 1990s, acting more frequently on television but also in occasional films. His most recent film appearance found him playing a cameo role, in simian makeup, in Tim Burton’s 2001 remake of “Planet of the Apes.”

He had announced in 1999 that he was receiving radiation treatments for prostate cancer.

He had always hated the thought of retirement and once explained his relentless drive as an actor. “You never get it right,” he said in a 1986 interview. “Never once was it the way I imagined it lying awake at 4 o’clock in the morning thinking about it the next day.” His goal remained, he said, “To get it right one time.”

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Thank you AP news and ROBERT BERKVIST
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I am sure that all of you Baby Boomers out there have seen all of Charlton Heston’s movies and it would be hard to pick out one that was truly your favorite. AS they were all so good and he was a master at his craft.

Mr. Heston was a Civil Rights advocate and was very Philanthropic work through out his life time.
I will miss him and will continue to re~watch his movies.

~The Baby Boomer Queen~

UK’s Prince Philip admitted to hospital

LONDON, England, Prince Philip, the husband of Britain’s Queen Elizabeth, was admitted to hospital on Friday with a chest infection, Buckingham Palace said.

Prince Philip married Queen Elizabeth in 1947.

The 86 year old prince, also known as the Duke of Edinburgh, was taken to King Edward VII’s Hospital in London for assessment, the palace said, and all of his weekend engagements have been canceled. No further details were available.

The Prince was seen in public last week during French President Nicolas Sarkozy’s state visit to the UK.

He was due to join the Queen on a royal visit to Devon and Cornwall in southwestern England next week, as well as attending two functions at Windsor Castle. A spokesman for Buckingham Palace told the UK’s Press Association that none of his engagements next week has been canceled.

Prince Philip was born into the Greek royal family in 1921, only to be smuggled out of Greece a year later aboard a British Royal Navy vessel after the king of Greece, Constantine I, his uncle, was forced to abdicate amid political instability.

A great~great grandson of Queen Victoria and a descendant of the Danish royal family, he served in the Royal Navy during World War II, rising to the rank of lieutenant.

In 1947, he married Queen Elizabeth, then heir to the throne, renouncing his Greek royal title to become a naturalized British citizen. Following Queen Elizabeth’s accession to the throne in 1952 he gave up his naval career to support her, in her royal duties.

Prince Philip is the patron of about 800 organizations and was the first president of the World Wildlife Fund. The prince has been a staunch defender of the royal establishment, turning against members of the family who have damaged its reputation.

Philip is not without controversy, however. He is renowned for making what some regard as inappropriate comments and was accused of insensitive remarks after the shooting of school children in Dunblane, Scotland, in 1996.

Conspiracy theorists have blamed him for having a role in Princess Diana’s death in 1997, although the judge at the inquest said this week there was no evidence to support that accusation.


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Thank you CNN News

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What do you think Royal Readers…Baby Boomers…did Prince Phillip have a hand in Princess Di’s MURDER!?!?!?!?!

~The Baby Boomer Queen~

King slaying stained Memphis for years…

2209074400_9cf42be901_m.jpg The Motel when Dr King was slain.

In MEMPHIS, Tenn., Joe Warren dropped his head to his hands, sobbing as he remembered back 40 years to the bitter garbage workers strike that drew Martin Luther King Jr. to Memphis and to his death.

Warren, 86, was one of the 1,300 black sanitation workers who walked off the job in 1968 with a strike that tore at the foundation of the city’s white only rule.

“They talked to you like you were a dog, and they worked you like a dog,” he said, his shoulders trembling. “But I couldn’t find a job nowhere else.”

The 65 day strike for the right to unionize ended with a victory for the workers. But King’s assassination stained this Southern city for years, limiting its prosperity and hurting its reputation worldwide.

“It took a decade of growth out of the Memphis regional economy,” said David Ciscel, a University of Memphis economist. “It was a time of fairly rapid growth in the South, and it was a time when Atlanta and Nashville kind of left us behind. People just didn’t want to associate with us.”

The city’s fortunes eventually improved, thanks largely to a young cargo airline named Federal Express that in the early 1980s showed that Memphis could still be a good place to do business. The airline grew into today’s FedEx Corp.

“It rescued Memphis,” Ciscel said.

The sanitation strike and King’s assassination made clear to blacks and whites alike that “the old plantation mentality had to be dumped,” said Michael Honey, author of “Going Down Jericho Road,” a history of the Memphis strike and King’s struggle for economic justice for the poor.

In the 1960s, close to 60 percent of black families in Memphis lived in poverty, Honey said, and few jobs other than manual labor were open to blacks.

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Today the city has a poverty rate of nearly 24 percent overall, almost twice the national figure, and 30 percent among black residents.

But the good jobs, in government and the private sector, are no longer reserved for whites. Memphis, which was 40 percent black in the 1960s, is now more than 60 percent black. It has had a black mayor since 1991.

The strike began in February 1968 after two sanitation workers were crushed by a trash compactor when they climbed in a garbage truck to get out of the rain.

The accident was blamed on faulty equipment, but it inflamed tensions that had festered for years over low wages, poor working conditions and racist treatment of black workers by white superiors.

The garbage workers had to wrestle with tubs and cans of all shapes and sizes, some so heavy it took two or three men to lift them. In the sweltering Memphis summers, the containers were prime breeding grounds for maggots that tumbled onto the workers.

“You’d have to tie a rag around your head to keep them from going down your back. That’s rough work, but you couldn’t say anything or they’d fire you,” Warren said. “We were men, but they treated us like boys.”

Pay ranged from $1.65 to $1.85 an hour for garbage crew members, just above the federal minimum wage of $1.60. Workers got no breaks or overtime pay and could be sent home without full pay when it rained. White supervisors drew full pay, rain or shine.

Looking back on the indignities endured by the workers still brings tears to Warren’s eyes, but the pain is softened by memories of organizing the strike and taking to the streets under the banner “I Am A Man.”

“I had a sign on my front and my back,” he said, “and I was walking around saying, ‘I am a man. I ain’t going to be quiet no more.'”

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King was cut down April 4 by a rifle slug that tore through his jaw and spine as he stood on the balcony of the Lorraine Motel. James Earl Ray, a petty criminal and prison escapee, pleaded guilty to the murder. He died in prison in 1998.

After King’s death, with the National Guard patrolling the streets, worried Memphis residents began calling for an end to racial hostilities.

“In the beginning, there was chaos,” said Fred Davis, one of three newly elected blacks on the 13 member city council in 1968. “But it brought people together who had never talked to each other to try to deal with a community problem.”

Twelve days after King’s death, the strike ended with the city council recognizing the American Federation of State, County and Municipal Employees as the workers’ union. The workers got a pay raise of 15 cents an hour, promotions based on seniority and the right to file on~-the~job grievances.

Though King’s killer was not from Memphis, the city was seen by much of the rest of the world as a cultural backwater responsible for the murder.

“People in Memphis have always been pretty sensitive of what outsiders think,” said history professor Charles Crawford of the University of Memphis. “It caused a deliberate change, maybe not in the true feelings of a lot of people, but at least in the expressions of them. The black community could see the collapsing of resistance to their aspirations.”

The National Civil Rights Museum opened at the Lorraine in 1991 after private citizens saved it from foreclosure and demolition. It is now a tourist attraction and a shrine to the civil rights movement.

“Most people say the assassination, set the city back hugely in terms of economic development and tourism and all that,” said Honey, the author, who is also a professor of labor and civil rights studies at the University of Washington, Tacoma.

“They’re now trying to turn that minus into a plus by acknowledging what happened and trying to highlight the history of the black freedom movement.”

For many people, Memphis has become “kind of hallowed ground,” Honey added. “It’s a place where important things happened and people want to connect to that.”

2208278331_4ddf44cf96_m.jpg Boarding house across the street from the Lorraine Motel where James Earl Ray fired the shot that killed Dr. King

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Thank you AP News and WOODY BAIRD, Associated Press Writer
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How many of you, red, yellow, black or white could work in these kind of conditions and still feel like a human being…I applaud those of you who fought for your basic human rights and those of your families.

So much tragedy, so many gone, some long gone.

Memphis will be remembered for Dr. King, Dallas forever for President Kennedy and NY for 911.

World peace, should start at home.
~The Baby Boomer Queen~

Congress has big questions for Big Oil

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In WASHINGTON …Top executives of the five biggest U.S. oil companies were pressed Tuesday to explain the soaring fuel prices amid huge industry profits and why they weren’t investing more to develop renewable energy source such as wind and solar.

The executives, peppered with questions from skeptical lawmakers, said they understood that high energy costs are hurting consumers, but deflected blame, arguing that their profits, $123 billion last year, were in line with other industries.

“On April Fool’s Day, the biggest joke of all is being played on American families by Big Oil,”
Rep. Edward Markey, D~Mass., said as his committee began hearing from the oil company executives.

With motorists paying a national average of $3.29 a gallon at the pump and global oil prices remaining above $100 a barrel, the executives were hard pressed by lawmakers to defend their profits.

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“The anger level is rising significantly,” said Rep. Emanuel Cleaver, D~Mo., relating what he had heard in his district during the recent two week congressional recess.

Alluding to the fact that congressmen often don’t rate very high in opinion polls, Cleaver told the executives: “Your approval rating is lower than ours and that means your down low.”

“I heard what you are hearing. Americans are very worried about the rising price of energy,” said John Hofmeister, president of Shell Oil Co., echoing remarks by the other four executives from Exxon Mobil Corp., BP America Inc., Chevron Corp., and ConocoPhillips.

2209971550_6907bc540a_m.jpg Refineries run full blast at night so it won’t be so noticeable how they are POLLUTING!

But the executives rejected claims that their companies’ earnings are out of step with other industries and said that while they earn tens of billions of dollars, they also invest tens of billions in exploration and oil production activities.

“Our earnings, though high in absolute terms, need to be viewed in the context of the scale and cyclical, long term nature of our industry as well as the huge investment requirements,” said J.S. Simon, Exxon Mobil’s senior vice president.

But Markey asked Simon why Exxon Mobil hasn’t followed the other companies in investing in alternative energy. The four other companies reported spending as much as $3.5 billion in recent years on solar, wind, biodiesel and other renewable projects.

“Why is Exxon Mobil resisting the renewable revolution,” asked Markey.

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Simon said his company, which earned $40 billion last year, had provided $100 million on research into climate change at Stanford University, but that current alternative energy technologies “just do not have an appreciable impact” in addressing “the challenge we’re trying to meet.”
Executives from the largest U.S oil companies have been frequent targets of lawmakers, frustrated at not being able to do much to counter soaring oil and gasoline costs.

In November, 2005, Hofmeister and the top executives of the same companies represented Tuesday sat in a Senate hearing room to explain high prices and their huge profits.

The prices are of concern, Hofmeister said at the time, adding a note of optimism: “Our industry is extremely cyclical and what goes up almost always comes down,” he told the skeptical senators on a day when oil cost $60 a barrel.

About six months later, when the cost of the same barrel reached $75, the executives were grilled again on Capitol Hill on their spending and investment priorities.

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Recently oil prices reached a peak of $111 a barrel. While declining a bit in recent days, the price remains above $100 and there’s talk of $4 a gallon gasoline in the coming months.

Markey challenged the executives to pledge to invest 10 percent of their profits to develop renewable energy and give up $18 billion in tax breaks over 10 years so money could be funneled to support other energy and conservation.

The executives said the companies already are spending billions of dollars, more than $3.5 billion over the last five years, on renewable fuels such as wind energy and biodiesel, but rejected any tax increases.

“Imposing punitive taxes on American energy companies, which already pay record taxes, will discourage the sustained investment needed to continue safeguarding U.S. energy security,” Simon insisted.

“These companies are defending billions of federal subsidies … while reaping over a hundred billion dollars in profits in just the last year alone,” complained Markey, chairman of the Select Committee on Energy Independence and Global Warming.

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The House last year and again on Feb. 27 approved legislation that would have ended the tax breaks for the oil giants, while using the revenue to support wind, solar and other renewable fuels and incentives for energy conservation. The measure has not passed the Senate.
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Thank you AP NEws and H. JOSEF HEBERT, Associated Press Writer
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The rich get richer and the poor stay that way…

Why not give grants and funding to companies who are looking for alternative fuels? I would love to thumb our/my noses at the oil companies and countires.

But asking questions..isn’t the act of busting a grape, now is it Baby Boomers.

Did you know that last century there was a tire that invented that would have lasted the life of your car…did you ever see it on the market…NO…like the pharmaceutical companies [why sell the cure when you can sell the pill that will continue the disease and keep the public buying more]…why sell one tire when you can sell many…the inventor sold out.

Raise your voices and your fists!

Refineries are in every state and counrty. They are big power and money!

I have a friend that says…protesting is STUPID, it solves nothing…well I hope you are reading this because if you are not part of the solution, you are part of the pollution! You my dear, will not solve anything.

Do not be a cow Baby Boomers…following the cow’s rear end in front of you…be a RHINO! Charge head down and kick some cow, donkey or mule ass!

~The Baby Boomer Queen RHINO ~

45921578_421097f362_m.jpg Grangemounth Oil Refinery HDR

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